Performance Artist

Harriet Richardson is a contemporary performance artist who explores themes of sexuality, connection, and addiction in her conceptual, provocative, and sometimes humorous works.

She is known for her subversive use of unconventional materials and methods — both online and in physical space — often creating work that actively involves public participation. Richardson’s performances have been featured widely, most recently in The Independent, Dazed, The Guardian and The New York Times.

In addition to her artistic practice, Richardson is an active advocate for feminism, class inequity in the arts, and the Climate Crisis, particularly its disproportionate impact on marginalised communities. She frequently uses her platform to amplify conversations around social justice.

She also has great tits.

Writer

Hattie Mont Richards is a writer whose voice was first shaped through her early newsletters — sharp, self-aware dispatches that blended humour, vulnerability, and cultural observation. What began as a small experiment in finding her tone evolved into a full Substack publication, where her mix of wit, intimacy, and narrative craft quickly found a devoted audience.

In December 2025, her Substack reached No. 1 on Rising in Humor, marking her as one of the most distinctive and fast-growing comedic voices on the platform. She also wrote this. It’s good, isn’t it?

Designer

Hats Richardson is a Graphic Designer with a decade of experience, including five formative years at Pentagram before leaving the industry to become a full-time artist. She now takes on only the projects she genuinely connects with — the ones that help sustain her as a happily struggling artist with an inconveniently expensive affinity for Aesop hand soap.

Her design work is rooted in bold messaging and conceptual clarity. She has created campaigns for Extinction Rebellion and branded Green New Deal for Europe, with her practice featured across multiple publications and exhibitions.

Today, Richardson’s approach sits at the intersection of art and design: sharp, purposeful, and grounded in cultural critique.

To enquire about collaborating with Harriet in a design capacity, please get in touch.

Accountant

Halbert Richmondson is an accountant in the loosest, most survival-driven sense of the word — a full-time artist, full-time writer, part-time designer, full-time hustler who was forced to get intimately acquainted with the dark arts of popular accounting software QuickBooks after going independent.

With a commitment to self-expression and a terrifyingly organised spreadsheet system, Halbert brings a unique blend of creativity and accidental financial literacy to every project. Their ordinary appearance and strangely captivating presence lend an unexpected edge to the world of bookkeeping.

Halbert’s dedication to embracing individuality, and paying their taxes on time, has earned them a loyal following in the finance community (Raya).

Activist

Henrietta Richardino first went viral in 2019 with placards she designed for the Youth for Climate march — including the now-iconic “Leonardo DiCaprio’s girlfriends deserve a future.” That moment set the tone for her work: ideas that hit fast, capture people, and communicate clearly to huge audiences.

Her practice has since spanned Extinction Rebellion, where she helped brand The Big One, and a wider landscape of activism she isn’t afraid to voice publicly: feminism, trans rights, and Palestinian liberation. Her widely shared article on why the Edinburgh Fringe is no longer accessible to poor or working-class artists further cemented her as a sharp, uncompromising cultural critic.

Direct, funny, and fiercely principled, Richardino continues to fight across multiple fronts, using language and design as tools for mobilisation, not decoration.

Intern

Harry Riccoforte has held the title of Intern for what was originally meant to be a one-year placement — a placement that, through a combination of optimism, inertia, and sheer institutional confusion, has now stretched into three decades. Unemployable anywhere else and often (affectionately) referred to as a “personality hire,” Riccoforte has become a permanent fixture, drifting between departments with no discernible duties and a lanyard that predates Wi-Fi.

Despite never quite mastering the photocopier, Harry’s enduring presence has become the company’s longest-running experiment in charm over competence.